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ABUJHMARIA GRAMMAR
G.V.Natarajan
IV
Physical Attributes of Abujhmaria
       On an average the Abujhmaria adult does not exceed 170 cms, in heoght. He has reddish-copper complexion with straight black hair. Occasionally we find young people with curly wavy hair also. Men with moustaches and beards are seldom seen. There are no professional barbers among the Abujhmarias.

       Every person keeps his locally-made razor which resembles an ordinary knief. The customs is that one ashves his friend who returns the compliment. Generally , hair on face is scanty. Physically they are strong and have wide set mouth. Their teeth are usually discoloured because of constant use of tobocco.

       With regard to the hair-dressing of men, the old fashion of coiffure still exists where a round pactch of hair on the crown is drawn back into a top knot and the rest of the head is shaved. This fashion is, however, slowly disappearing and the young menimitate the style prevalent in the plains. They have also learnt to dress in the same way as their Muria neighbours living in the plains of Narainpur. They wear a loincloth which covers most of the buttocks and thighs:; jackets, ready-made shirts and banians are also worn frequently.

       Young men cover their head with pagri called �talla gua�. Generally, men and women walk bearfoot. Lead and copper ear-rings and stringed coloured beads are worn,both by men and women..The women decorate their foreheads or temples with colour feathers. Women too put on a loincloth which extends half way through the knees. They cover their breasts centrally with one end of a piece of cloth while the other end of the same is drawn back around the waist over the loincloth. Young women are graceful and their hair on head is parted in the centre and brought back into a pendulous bunch. They generally prefer white cloth to coloured ones. Ornaments made of lead, copper and beads are extensively used. Tattooing the limbs, breasts and face enhance the physical appearance of the Abujhmaria women folk.

Social Scene
       The general layout of a village is in consonance with the nature of the terrain where it is located. Usually, it is situated in the valley but on the downward slope by the side of some stream. The construction of houses does not follow any set pattern. Because of the menace of the wild animals like tiger, bear, etc., the village has a strong fencing made of bamboo and trunks of sal trees which is difficult to break down even by a wild buffalo. At some places the fencing is as high as 7-10 feet. The size of house, lōn, is realted to the need and about 4 to 6 feet. The rooms are usually in rows with verandah in front, followed by a sleeping room for the husband and the sons, a kitchen-cum-sleeping room for the wife and daughters, a grain storing hut and menstruation hut �kurma� at the back. Every sleeping room has a large platform raised on wooden legs. During winter and rainy seasons they sleep on the platform with fire underneath. In summer they sleep outside. In the kitchen in every Maria house there is a small partition where there is kept an earthen pot especially dedicated to the Dead; in the same room is the hearth of the Departed. It is around this little shrine that there centres an extensive cult of the ancestral Dead. The housewife puts a little flour into the pot in the honour ot the Dead when she grinds and here she cooks new grains at the harvest festival.

       Houses are not hygienically maintained because of smoke and soot formation which is due to the constant burning of fire. House are built with bamboo and plastered with mud and cowdung and with thatched roofing.
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